Pair of mirrors with brass frame.
Italy, 1950s.
Mirror with curved metal mesh frame with two wall lights of the same workmanship with satin glass.
Italy 1950s.
Mirror with teak frame, Scandinavia, 1960s.
Piero Portaluppi, 1950's mirror with ribbed wood frame
Mirror with engravings depicting the signs of the zodiac.
Mirrored crystal with stained wood frame.
Italy, 1940's.
Small Rococò carved and gilded leaf mirror with original silvered mirror.
The measurements of this frame are particularly unusual and contained for its time.
North Italy, Piedmont, around 1750.
Noel Quintavalle (Ferrara 1893 - Alassio 1977)
Three young woman having a bath at the river.
Oil painting on panel, signed and dated 1958.
Pair of lacquered and gilded wood angels holding a cornucopia with a gilt metal crown.
Central Italy, Baroque period, second half of the 17th century.
Ettore Sottsass, pair of vases from the 'Onde' series in white majolica.
Produced by Società Ceramica Toscana for Il Sestante, Milan, 1969.
Stamp SOTTSASS Il Sestante.
Salviati Venezia, lattimo glass vase in a light pink color with gold leaf powder.
Salviati & C, Murano 1970s.
In 1859, the Vicenza lawyer Antonio Salviati began his glass business by founding Salviati & C. It combines the production of mosaics and enamels with that of blown glass, becoming an example of international excellence.
Gio Ponti, small ceramic vase.
Prod. Richard Ginori, 1930s.
Seguso Murano, small blown glass vase.
Signed Seguso Murano.
Seguso Vetri d'Arte was born in Murano in 1375 as one of the oldest Venetian glass factories. The Seguso family today boasts the 23rd generation of glass masters.
De Majo Murano, small blown glass vase model 9731.
Signed De Majo Murano 1989.
Ludovico Diaz de Santillana, blown glass bottle with incalmo collar.
Prod. Venini, 1970s.
Hourglass
Fulvio Bianconi and Paolo Venini 1957.
Blown, incalmo glass.
Gray, rio green and amber.
Vittorio Zecchin, Veronese vase in taupe-colored blown glass, Prod. Venini, Murano 1970s.
The vase takes its name from the canvas of "The Annunciation of the Virgin" by Paolo Veronese. The complex and rounded shape defies gravity, as in the painting that originally houses it.
Paolo Venini, very light blown glass, model 4740.
Signed, Venini 1959.
Vittorio Zecchin, Veronese vase in green-colored blown glass, Prod. Venini, Murano 1970s.
Vittorio Zecchin, Veronese vase in lilac-colored blown glass, Prod. Venini, Murano 1970s.
Pair of screens with wooden frame and fabric with collage made up of figures and floral compositions.
England 1920's-1930's.
Two table frames in shaped blond maple wood.
Italy in the 30s.
Bulrush mannequin.
Female figure looking to the right on an iron tripod.
Italy in the 1930s.
Side table.
Gio Ponti, splendid 1930's sailing ship in shaped wood.
Two mannequins in fabric and turned wood.
Arlecchino, wooden doorstop covered with small stitch embroidered fabric.
North Italy, 18th century.
Wood and brass coat hanger.
Attr. Ico Parisi, 1950's.
Coat hanger in lacquered metal and teak wood.
Italy 1960ca.
